In Memory Of A Master

For a nation that is so doped on cinema as we are, we live too much in the present; often forgetting the glory of our past. A week long celebration held in Hyderabad to mark the centenary year of Bimal Roy, one of the finest filmmakers India has ever had, did a precious lot in reminding the city of this movie master.

Organised by the Bimal Roy Centenary Committee in collaboration with Moving Images, Hyderabad, from January 26 to February 1, the event presented an interesting concoction of slices from Bimal Roy’s work and life. It began with the screening of a short film Bimal Roy doesn’t live here anymore and unveiling of Reflections – on cities and spaces, an exhibition of rare architectural photographs shot by Bimalda, at Kalakriti Art Gallery. “The photographs were shot during my father's extensive travels where he captured structures, people and nature,” says Aparajita Roy Sinha, his daughter and convenor-founding member of Moving Images.

World of Bimal Roy, another exhibition of rare photographs from his life, some of them captured by his wife Manobina Roy, was on display on the first floor of Prasad’s Imax from January 27 to 31. The photographs were shipped from Kolkata exclusively for this event.

That music was part of Bimalda’s cinematic narrative as much as the story, is something that his admirers would vouch for. The innovations he tried to bring on screen while picturising some of the best melodies that S D Burman or Salil Chowdhury have composed were pathbreaking (remember the first ever telephonic love song of India ‘Jalte hain jiskeliye’ from Sujata?). So it was only befitting that the centenary committee honoured veteran singer Manna Dey and actor Jagdeep at a glitzy ceremony at The Marriott on January 28, which the city’s cream de la cream attended. The ‘90 years young’ singer also gave a live performance along with Geeta Varma which left listeners awestruck.

Bimal Roy Retrospective, a film festival that featured nine masterpieces of the director, was of course the highlight of the celebrations. Do Bikha Zameen, Bandini, Sujata, Devdas, Parineeta, Madhumati, Parakh, Yahudi and Udayer Pathey (Bengali, Bimalda’s first film) were screened at Prasad’s Imax and Cinemax from January 29 to 31. Remembering Bimal Roy, a documentary directed by his son Joy Roy was also screened as part of the festival. It gave a fantastic peek into the life of a man who, according to Manobina Roy, believed only in one ‘ism’ – humanism! “It was a spiritual journey for me to find a link to my father whom I hardly knew. While filming it, I discovered how much people loved and respected him,” says Joy Roy.

The first few shows of the festival had half filled audis. However, the houseful shows towards the end made it clear that Hyderabadis gave a lot of mouth publicity to the event. At the screening of the closing film Sujata, Bimal Roy’s daughter and documentary film maker Rinki Roy Bhattacharya commented to a gargantuan crowd, some even seated on the floor, that such a response was unimaginable in Mumbai where there were too many distractions.

The week long cinematic extravaganza ended on a sober note with a one day symposium on ‘Outsiders, Migrants and the Indian Middle Class in Bimal Roy’s films’ held at University of Hyderabad. Jahnu Barua, the national award winning Assamese filmmaker, Suresh Chabbria, the renowned film historian from FTII, Pune, and Maithili Rao, the noted film critic, were the speakers at the symposium organised in collaboration with the UGC SAP on Visual Culture by Sarojini Naidu School of Arts and Communication.

Destruction Of Differences Is The Death Of Democracy – Dr. Dibyesh Anand

Being seduced by Hindu Nationalism without being aware of it is a huge threat that young Hindus face today, said Dr. Dibyesh Anand while delivering a lecture on ‘The Myth of Tolerant Hindus’ on January 6 in connection with the Centre for Integrated Studies (CIS) Lecture Series.

Dibyesh, who is a Reader in International Relations at the Centre for the Study of Democracy at University of Westminister, London, also emphasized that the attempt of Hindu Nationalists to make Muslims live on Hindu terms is against the spirit of democracy. The day differences become undesirable, democracy comes under serious threat.

The speaker, who has authored a Routledge publication called ‘Tibet: A victim of geo politics,’ said that an attempt to study Gujarat riots led him almost naturally to Hindu Nationalism. Use of identity politics by creating a Hindu Self and a Muslim Other and an extreme reductionist approach of representing all Muslims in a stereotype of terrorism prove that any theory of ‘tolerant extremist Hindus’ is farcical. “Coining terms like ‘Love Jihad’ for inter-religion marriages does not romanticize their cause at all,” he said. He also confidently mentioned about the Gujarat riots that any violence of such scale is impossible without state complicity.

While concluding, he said that democracy is not about majority rule, but protection of dissent and minority. Dr. Sheela Prasad led the discussion that followed.

Equal Opportunity - Myth Or Reality?

Change should be initiated at home and mothers should ensure that their children grow up with a gender sensitive value system, opined the panellists at a discussion organised by the Times of India (ToI) at Taj Deccan, Banjara Hills on October 15.

The event was a part of the Vox Populi series that the newspaper organised in the city in the month of October, in collaboration with Manjeera Homes. ‘Equal Opportunity – Myth or Reality’ was the overarching theme. Has the legendary glass ceiling really been broken, or are the age old perceptions and traditional mindsets still in place when it comes to the Indian woman were some of the questions that the event tried to address.

Dr. Lavanya Kannaiyan (Paediatric Surgeon), Leena Sil (Senior Consultant, PWC), Chandrima Roy (Chief PRO, South Central Railway), Usha Reddy (Principal, Meridian School), Dr. Alladi Suvarna (Neurologist), Suchitra Ella (Bharat Biotech), Kanchan K Malik (University of Hyderabad) and Anjana Sinha (Inspector General of Police) participated in the panel discussion. It was moderated by the Resident Editor of ToI, Kingshuk Nag.

The discussion was carried out under several sub topics like ‘The superwoman expectation,’ ‘Progressive is loose,’ ‘Single woman still not accepted,’ ‘The new-age stridhan,’ ‘Sexual harassment,’ and ‘The sidelined homemaker.’ While the panellists did not have a consensus on personally experiencing sexual harassment or parents-in-law demanding their salaries, everyone agreed that such things happen in lower classes of the society. They also asserted that evolution was not an overnight process.

A group of youngsters present in the audience gave fresh male perspectives that were much needed to balance the opinions of an all-female panel. They pointed at the direction in which the younger generation is heading by citing examples from their lives – some prompting their homemaker moms to start working and some being proud of their girlfriends who earn more than them.

Mr. Nag, with his witty demeanour, made the event quite a lighthearted one despite the sombre theme of the discussion. Roli Srivastava, a senior reporter at ToI, took the lead in organising the event.

A Mega Idea For Nano Art

If good things really do come in small packages, nano art is the best example to elucidate that fact. Nano Art – an exhibition of paintings organized by Daira Center for Arts and Culture in Banjara Hills, Hyderabad showcases art pieces that are one foot long and wide.

As the name suggests, this concept was inspired by the visionary Ratan Tata’s idea of the Nano car. It came from the thought that art should me made a necessary luxury for average Indians, just like the car. Ms. Atika Amjad, the owner of Daira and the one who conceptualized this exhibition says, “There is a rising class of urban Indians with disposable incomes. They want to spend money on art mainly to do up their homes. Then why not give them original art and guard them from the cheap thrash of framed printed paintings?” Nano art is an answer to this question priced at just Rs. 1000 per piece.

Another laudable aspect of this exhibition is that all the 23 featured artists are students, and it proves to be an ideal platform for them. The only demand was that the paintings should be of the specific dimensions. The theme of paintings was open to the artist’s choice paving way to let them express their creativity the way they wanted to. Some of the artists are Dhruv Sonar, Gangadhar M, Uday Shankar and Ritu Bhattacharya. Most of them are university trained; however, the variety showcased has to be seen to be believed. While some artists have used a riot colours, some have resorted to indian ink in creating their black and white imageries.

There are abstract paintings for people who love interpreting art and there are on-the face pictures that tell you exactly what the artist wanted to say. The retro art showcased by Balagopal and Dashavatar by Phani are different strokes altogether.

The exhibition was thrown open to public on July 4^th and will go on for a month. However, Ms. Atika emphasized that this would be an ongoing effort, and more artists would be added in the future.

The effort taken to make art accessible and affordable to common man is indeed commendable, and that is what makes this exhibition different. How many times have you window-shopped for beautiful art pieces? This time around, just pick up one.